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Unique Accidentals: 3-4
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Handel
Händel - Lascia Ch'io Pianga, for Baroque Flute (A=415)
Hyeon Kim
3:45 Est. Play
Time
80 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 21 3 8 100%
Bass 16 17 3 5 100%
Flute Treble 12 0 4 11 70%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 21 3 8 100%
Bass 16 17 3 5 100%
Flute Treble 12 0 4 11 70%
 
Messiah| No.22: Behold the Lamb of God
Pete Alan
3:12 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 16 0 3 8 100%
Violin
I		 Treble 17 0 3 7 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 16 0 3 8 100%
Violin
I		 Treble 17 0 3 7 100%
Violin
II		 Treble 20 0 4 8 100%
Double
Bass		 Bass 16 0 3 7 97%
Alto Treble 13 0 3 6 81%
Soprano Treble 13 0 3 7 81%
Bass Bass 15 0 3 7 75%
Tenor Treble 13 0 4 6 75%
 
HWV7A2N4b - "Il Tricerbero humiliato"
edward.maurath
3:16 Est. Play
Time
59 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 25 39 6 9 97%
Bass 26 21 6 9 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 25 39 6 9 97%
Bass 26 21 6 9 100%
Contrabasses Bass 21 0 5 9 100%
Violins
1		 Treble 21 0 4 9 100%
Violins
2		 Treble 19 0 4 9 100%
Violoncello Bass 21 0 5 9 100%
Violoncellos Bass 21 0 5 9 100%
Rinaldo 17 0 4 8 79%
Viola 10 0 1 6 25%
 
Händel - Largo: "Ombra Mai Fu", for Flute and Cello
Hyeon Kim
2:36 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 18 59 3 8 100%
Bass 15 29 0 3 98%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 18 59 3 8 100%
Bass 15 29 0 3 98%
Cello Bass 17 0 2 8 98%
Flute Treble 13 0 2 8 58%
 
Messiah| No.17: Glory to God
Pete Alan
2:20 Est. Play
Time
57 Measures
1,512Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 22 3 3 8 98%
Violas 15 0 1 8 98%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 22 3 3 8 98%
Violas 15 0 1 8 98%
Basses Bass 16 0 1 8 91%
Cellos Bass 15 0 1 8 91%
Tenor Treble 11 0 0 8 65%
Alto Treble 7 0 0 8 54%
Soprano Treble 8 0 0 8 49%
Bass Bass 11 0 0 8 47%
 
May Love Preside
singthewords
1:39 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 10 3 9 99%
Bass 17 1 1 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 10 3 9 99%
Bass 17 1 1 6 100%
Flute Treble 13 0 2 10 94%
Soprano Treble 14 14 2 8 78%
Alto Treble 13 15 2 8 75%
 
Handel's Joshua No. 4 - O First in Wisdom
Anonimasu1
2:32 Est. Play
Time
58 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 25 6 8 99%
Bass 21 4 4 8 98%
Baritone Bass 17 0 4 8 81%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 25 6 8 99%
Bass 21 4 4 8 98%
Baritone Bass 17 0 4 8 81%
 
Handel – Prelude «Voi che mie fide ancelle» from "Giulio Cesare" for Sax soprano & Strings Synth.
Aquarius-Ru
2:24 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Strings
Synth.		 Treble 24 51 8 6 100%
Violoncello Bass 15 0 4 9 100%
Saxophone soprano Treble 14 0 6 9 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Strings
Synth.		 Treble 24 51 8 6 100%
Violoncello Bass 15 0 4 9 100%
Saxophone soprano Treble 14 0 6 9 94%
 
Air from Terpsichore, prologue to Il Pastor Fido, HWV 8, late 1734
edward.maurath
3:16 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 15 6 11 100%
Bass 18 19 3 9 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 15 6 11 100%
Bass 18 19 3 9 100%
Basso

Continuo		 Bass 18 0 3 9 100%
Contrabasses Bass 17 0 3 9 100%
Violas 16 0 3 9 100%
Violini 1 Treble 24 0 5 12 100%
Violini 2 Treble 24 0 5 13 100%
 
"parolette, rezzi e sguardi" from "Rinaldo," HWV 7 (1731)
edward.maurath
0:01 Est. Play
Time
98 Measures
1,841Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 25 92 5 11 77%
Bass 20 7 3 10 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 25 92 5 11 77%
Bass 20 7 3 10 100%
Violoncello (Continuo) Bass 18 0 3 8 100%
Soprano
as Almirena		 13 0 2 11 77%
Violoncelli (Continuo) Bass 17 0 2 7 76%
Contrabassi (Continuo) Bass 16 0 1 7 75%
Violin Treble 17 0 2 8 75%
 
HWV56N24 - Surely He hath bourne our grief
edward.maurath
2:51 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 11 4 7 96%
Bass 22 4 7 8 100%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 16 11 4 7 96%
Bass 22 4 7 8 100%
Organ Treble 16 11 4 7 96%
Bass 22 4 7 8 100%
Cello Bass 22 0 7 8 100%
Contrabass Bass 22 0 7 8 100%
Viola 15 0 4 9 100%
Violin
1		 Treble 18 0 4 9 100%
Violin
2		 Treble 13 0 4 8 100%
Alto 9 0 2 8 73%
Bass Bass 15 0 6 9 69%
Soprano Treble 11 0 3 9 69%
Tenor 11 0 3 9 69%
 
"Il Tricerbero humiliato" from "Rinaldo," HWV 7 (1711 and 1717)
edward.maurath
3:16 Est. Play
Time
59 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 25 39 6 9 97%
Bass 26 22 5 9 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 25 39 6 9 97%
Bass 26 22 5 9 100%
Contrabasses Bass 22 0 5 9 100%
Violins Treble 22 0 4 9 100%
Violins
2		 Treble 20 0 4 9 100%
Violoncello Bass 22 0 5 9 100%
Violoncellos Bass 22 0 5 9 100%
Rinaldo 17 0 4 8 79%
Viola 10 0 1 6 25%
 
HWV56N22 - Behold the Lamb of God!
edward.maurath
3:15 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 60 6 9 100%
Bass 16 25 3 7 97%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 60 6 9 100%
Bass 16 25 3 7 97%
Violin
I		 Treble 17 0 3 8 100%
Violin
II		 Treble 20 0 4 11 100%
Cello Bass 16 0 3 7 97%
Viola 16 0 3 11 97%
VNE Bass 16 0 3 7 97%
Alto 13 0 3 7 81%
Soprano Treble 13 0 3 9 81%
Basso Bass 15 0 3 7 75%
Tenore 14 0 4 8 75%